What Picasso says about understanding art is extremely relevant to how we approach abstract paintings. Many people think that abstract paintings will need to have a certain concept of some sort, which could be clearly understood and articulated if only they knew how. This misconception is not helped by the endless supply of people prepared to spout nonsense about what believe that the artist was seeking to say. The almost inevitable consequence of this case is that people can either feel like these are being excluded from sharing in some secret knowledge, or alternatively conclude that Minimalist Art Painting is in fact all a sham. In any event, the result is that many individuals tend not to feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark as far as my very own paintings are involved. Basically If I experienced a specific message or perhaps a which means I could articulate in words, then I would articulate it in words – the painting could have no purpose. The complete reason for creating an abstract painting is that it embodies something that only it could, in a way in which cannot be put in words. It is far from an essay this is a painting – it encompasses and expresses things in a language that is certainly unique for the medium of paint. That is why we should not attempt to ‘understand’ abstract paintings in the way people sometimes feel they ought so that you can.
The viewer should never search for a clear narrative within an abstract painting – it is far from going to tell a story, or make reference to an outside ‘subject’ in a similar manner which a figurative painting will. But that does not always mean there is not any meaning or no subject, or that abstract paintings cannot contact and move people. When asked about material, the Abstract Expressionist artist Jackson Pollock said, “I am just the topic”. Pollock’s statement is not only true, it is inevitable.
The experiences, personality, memories and mood of the abstract artist cannot help but be fed into the painting if the artist approaches the task in an open and honest way. I do not require another subject or idea before I will create Hand Painted Oil Paintings – I simply begin. The reality that I am just me with no-one else is why my work different to anyone else’s, and this is also true of all artists. The colours I select, the marks a make, the accidents I choose to depart, or obliterate, they are all things i choose because of who I am just.
Should you present several different artists with the exact same basic design on the canvas and ask them to get a brush and develop the painting, the differences in what they would elect to do will be enormous. We have watched other abstract artists at the office on paintings and thought “I would personally never in a million years have chosen that colour and put it there.” Not because I believe it is wrong or bad, but because they are who they are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are many great types of painting on the market, arising from a wealthy art history that has seen movement after movement. The phrase abstract art is often used a blanket term to illustrate non-representational art – this is the lack of recognisable subjects. Abstract art was connected to the rise of modernism during the last century, getting into the mainstream with abstract expressionism in post-war art yet still continuing to influence artists today.
What brought about the qualities we have seen in abstract art? The flattening of the artist’s canvas surface is certainly one major quality, as artists moved away from a convincing illusionism towards broader-minded thinking. With all the invention of photography releasing the artist from painting as a method of recording reality, they began seeing the canvas surface as being an object in the own right, using the canvas as being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and started to form its kfkymg qualities according to how it was handled. The paint could exhibit ‘personality’, it had its very own dimensions and opened an array of different techniques we see in artwork from the last century. One of the main reasons artists began Extra Large Paintings in an abstract way was the opportunities for greater creativity. It allowed for any greater range of expression and the creation of ideas which were not reliant on representing reality any further.